AI and Music: ABBA's Björn Ulvaeus on Fairness for Artists (2026)

In a thought-provoking address at the United Nations' AI for Good Global Summit, ABBA's Björn Ulvaeus raised crucial questions about the role of artists and creators in the rapidly evolving world of artificial intelligence. His keynote speech, titled 'Good for Whom?', delved into the ethical and economic implications of AI training, advocating for a seat at the table for those whose creative works fuel these technological advancements.

Ulvaeus, in his role as president of CISAC, the Global Confederation of Authors and Composers, emphasized the need for consent and collaboration between artists and AI developers. He highlighted the importance of recognizing artists as partners, not just as data providers, in the creation of AI models. This perspective challenges the traditional view of AI as a tool that can operate independently of human creativity.

The Power of Consent

One of the key takeaways from Ulvaeus' speech is the concept of consent. He argues that AI, when developed with the active participation and consent of artists, can truly be considered 'for good.' This is evident in projects like the virtual ABBA Voyage show, where the band's consent and involvement resulted in a successful and beloved performance. Ulvaeus believes that this consent-based approach is essential to ensuring that artists are not merely used as raw material but are integral to the process.

Creative Work as Foundation

Ulvaeus makes a compelling point about the foundation of AI models. He states that the creative work of artists, songwriters, and musicians is not just data but the very building blocks of these systems. Their melodies, harmonies, and lyrics teach AI models how to create and emulate music. This perspective shifts the focus from seeing artists as obstacles or protesters to recognizing them as essential partners.

The Economic Angle

Beyond the ethical considerations, Ulvaeus addresses the economic implications. He suggests a practical framework for payment, drawing parallels with Spotify's licensing model. He proposes that a share of AI subscription revenues should flow back to the creators whose work trained these systems. This collective licensing approach, he argues, has worked effectively for over a century and could be adapted for the AI industry.

Broader Implications

Ulvaeus' speech has wider implications for the creative industry. It highlights the growing concern among artists and musicians about the use of their work in AI training without proper consent or compensation. The recent lawsuits and expressions of concern from music rights organizations reflect a broader trend of artists asserting their rights in the digital age. Ulvaeus' address adds weight to these calls for consensual AI training and fair compensation.

A Call to Action

In his conclusion, Ulvaeus challenges the audience to renew the promise made in Paris and Geneva, where the rights of creators were first recognized and made universal. He believes that the decisions made now will shape the creative economy for generations to come. His speech is a powerful reminder that human creativity is not just content or data; it is the essence of our shared human experience, and it deserves to be valued and protected in the age of AI.

AI and Music: ABBA's Björn Ulvaeus on Fairness for Artists (2026)
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